Repeater Offsets and CTCSS Tone Chart
The four settings that decide whether a repeater answers you, with the standard values for every band and the full sub-audible tone set.
The short answer
Standard United States repeater offsets are 600 kHz on 2 metres, 5 MHz on 70 centimetres, 1.6 MHz on 1.25 metres and 1 MHz on 6 metres. Most repeaters also require a CTCSS sub-audible tone from the standard set of 39 tones between 67.0 and 250.3 Hz. Get the offset direction or the tone wrong and the repeater simply does not respond.
- 2 m offset
- 600 kHz
- 70 cm offset
- 5 MHz
- CTCSS tones
- 39 standard
- 2 m calling
- 146.520 MHz
A repeater will not answer you unless four things are right: the output frequency, the offset direction, the offset size and the access tone. Get any one wrong and the machine is silent, which is indistinguishable from a broken radio and is the single most common false fault report in amateur radio. This page has the standard values for all of them.
Standard offsets by band
| Band | Offset | Convention |
|---|---|---|
| 6 m | 1 MHz | Regional variation is common on 6 m; check the local coordinator. |
| 2 m | 600 kHz | Minus below 147.000 MHz, plus above it, as a rule of thumb. |
| 1.25 m | 1.6 MHz | Minus offset throughout. |
| 70 cm | 5 MHz | Plus offset throughout in most of the United States. |
| 33 cm | 12 MHz | Minus offset. |
| 23 cm | 12 or 20 MHz | Varies by sub-band. |
The offset is the difference between the repeater's output frequency, which is what you listen to, and its input frequency, which is what you transmit on. A repeater with an output of 146.940 MHz and a minus 600 kHz offset listens on 146.340 MHz. Your radio handles the arithmetic once the offset is programmed; you enter the output frequency and the offset direction.
The plus and minus rule of thumb on 2 metres is that outputs below 147.000 MHz generally use a minus offset and those above it generally use a plus. It is right often enough to be worth knowing and wrong often enough that you should check a directory. On 70 centimetres the offset is plus almost everywhere in the United States, though regional coordinators do vary this.
The CTCSS tone set
Continuous tone-coded squelch system, universally shortened to CTCSS and sometimes called by the trade name PL, transmits a low-frequency tone below the audio passband alongside your voice. The repeater listens for the correct tone before it opens. The standard set is 39 tones, and every amateur radio made in the last thirty years has all of them.
| Hz | Hz | Hz | Hz | Hz |
|---|---|---|---|---|
| 67.0 | 69.3 | 71.9 | 74.4 | 77.0 |
| 79.7 | 82.5 | 85.4 | 88.5 | 91.5 |
| 94.8 | 97.4 | 100.0 | 103.5 | 107.2 |
| 110.9 | 114.8 | 118.8 | 123.0 | 127.3 |
| 131.8 | 136.5 | 141.3 | 146.2 | 151.4 |
| 156.7 | 162.2 | 167.9 | 173.8 | 179.9 |
| 186.2 | 192.8 | 203.5 | 210.7 | 218.1 |
| 225.7 | 233.6 | 241.8 | 250.3 |
The tones cluster closely at the low end and spread out higher up, which is deliberate: the spacing is designed so that a receiver decoding one tone does not false-trigger on an adjacent one. That is also why you cannot invent a tone. Using 105.0 Hz because it sits between two standard values will simply not open anything.
Programming software presents three related settings and confusing them is common:
- Tone or encode. Your radio transmits the tone. This is what opens the repeater and it is what you need. Set this and nothing else if you are unsure.
- TSQL or tone squelch. Your radio transmits the tone and also stays silent unless it hears a matching tone on receive. Useful on a busy or noisy frequency, and it will make the radio appear deaf if the repeater does not transmit a tone.
- Cross tone. Different tones for transmit and receive. Occasionally needed on linked systems and almost never otherwise.
DCS, the digital alternative
Digital coded squelch sends a continuous low-speed digital code rather than a tone. It does the same job, offers far more unique codes, and rejects interference marginally better. Repeaters use one system or the other and never both at once.
DCS codes are written as three octal digits, which is why the numbers look odd: 023, 025, 026, 031, 032, 043, 047, 051, 054, 065, 071, 072, 073, 074, 114, 115, 116, 122, 125, 131, 132, 134, 143, 152, 155, 156, 162, 165, 172, 174, 205, 223, 226, 243, 244, 245, 251, 261, 263, 265, 271, 306, 311, 315, 331, 343, 346, 351, 364, 365, 371, 411, 412, 413, 423, 431, 432, 445, 464, 465, 466, 503, 506, 516, 532, 546, 565, 606, 612, 624, 627, 631, 632, 654, 662, 664, 703, 712, 723, 731, 732, 734, 743 and 754. Each also has an inverted form, which programming software shows as an N or an I suffix.
In practice you look the code up in a repeater directory and enter it exactly as printed. There is no equivalent of the CTCSS tone chart worth memorising.
Simplex calling frequencies
| Band | Frequency | Note |
|---|---|---|
| 6 m | 52.525 MHz | The national FM simplex calling frequency on 6 metres. |
| 2 m | 146.520 MHz | The national FM simplex calling frequency. Never a repeater, never a ragchew frequency. |
| 1.25 m | 223.500 MHz | The national simplex calling frequency on 222 MHz. |
| 70 cm | 446.000 MHz | The national FM simplex calling frequency on 440 MHz. |
| 33 cm | 446.500 MHz | Commonly used, though regional practice varies more on this band. |
Simplex means transmitting and receiving on the same frequency with no repeater involved, which is what you do when the other station is close enough. A calling frequency is for establishing contact and then moving, in exactly the way a marine or aviation calling channel works. Holding a twenty minute conversation on 146.520 MHz is the VHF equivalent of parking in a loading bay.
Simplex is worth practising because it is the mode that still works when the repeater is off the air, which is precisely the situation emergency communication groups train for. Two handhelds at head height reach one to two miles in suburban terrain, and considerably further from high ground. The arithmetic is on the VHF range calculator.
When the repeater will not answer
Work through this list in order. The fault is almost never the radio.
- Check the offset direction. Plus where it should be minus is the most common single error. Your radio should show a plus or minus indicator when you key up.
- Check the offset size. A radio set to 600 kHz on a 70 centimetre repeater is transmitting 4.4 MHz away from the input.
- Check the tone. Both the value and that it is set to encode rather than off. This is the second most common error.
- Check you are not on tone squelch by accident. If the radio is silent but the repeater is busy, you have TSQL set with the wrong receive tone.
- Listen for the repeater's own identification. If you cannot hear the machine at all, none of the above matters and the problem is range or the frequency.
- Go outside and stand up. Free, instant, and frequently worth more than any equipment change. Buildings attenuate VHF badly.
- Fit a better antenna. A Nagoya NA-771C 15-inch whip$15.98 in place of the stock rubber duck is worth 2 to 3 dB on transmit and receive for about sixteen dollars.
- Check the repeater is actually on the air. Directories list machines that have been dead for years. Ask on a local net.
Programming this into a radio
Entering one repeater by keypad means navigating an unlabelled menu system to set a receive frequency, an offset direction, an offset size, a transmit tone and a memory name. Entering fifty means doing that fifty times, which is why almost nobody does it twice.
The free CHIRP software plus a genuine BTECH PC03 FTDI programming cable$22.49 cable loads fifty repeaters in two minutes from a spreadsheet view. The cable must have a genuine FTDI chip; counterfeit serial chips are the single most common reason CHIRP will not connect. Radios that programme from a phone over Bluetooth, such as the BTECH UV-PRO$164.89 and the TIDRADIO TD-H8$129.99, remove the cable from the equation entirely, which is the biggest usability improvement in the budget handheld category.
The step by step walkthrough, including the column names CHIRP uses for each of these settings, is on programming a Baofeng with CHIRP.
What to programme first
- The two or three local repeaters that actually have people on them, in the lowest memory channels.
- The repeater your local club's weekly net runs on, which is the easiest possible first contact.
- The 2 metre and 70 centimetre simplex calling frequencies.
- Two or three simplex working frequencies to move to after a contact.
- The NOAA weather channels, which are receive only and need no license.
- Any repeater with a wide-area linked system, which is often the one that works from the car.
Ask the club that ran your exam session which repeaters are busy rather than programming everything in the directory. A directory lists machines; it does not tell you which ones have anyone listening, and a radio full of dead repeaters is how people conclude the hobby is quiet. More on that in what to do after you pass.
Common questions
Questions people ask about this
What is a repeater offset?
The difference between the frequency a repeater listens on and the frequency it transmits on. Your radio must transmit on the repeater input and receive on its output, which is why an offset is programmed rather than a single frequency. On 2 metres the standard offset is 600 kHz and on 70 centimetres it is 5 MHz.
What is a CTCSS tone and why do I need one?
A continuous sub-audible tone transmitted alongside your voice, which the repeater listens for before it will open. It stops the repeater responding to distant stations on the same frequency during unusual propagation and to noise. Transmit the wrong tone, or none, and the repeater simply ignores you, which is the most common reason a new operator concludes the radio is broken.
What is the plus and minus rule on 2 metres?
A rule of thumb rather than a rule: repeaters with outputs below 147.000 MHz generally use a minus offset, and those above it generally use a plus offset. It is right often enough to be useful and wrong often enough that you should look up the machine in a directory rather than assume. On 70 centimetres the offset is plus almost everywhere.
What is the difference between CTCSS and DCS?
CTCSS uses a continuous sub-audible tone between 67 and 250 Hz. DCS, digital coded squelch, sends a continuous low-speed digital code instead, which allows many more unique codes and rejects interference slightly better. Both do the same job and a repeater uses one or the other. Programming software calls DCS codes by three-digit numbers such as 023 or 754.
What does it mean when a repeater has a tone on its output?
The repeater transmits a CTCSS tone as well as requiring one, so your radio can be set to stay silent unless that specific tone is present. That is tone squelch, and it keeps a scanning radio quiet during band openings and interference. It is optional on your end and many operators leave it off so they can hear everything on the frequency.
What is 146.520 MHz for?
It is the national FM simplex calling frequency on 2 metres, used for making initial contact and then moving elsewhere. It is not a repeater frequency, not a ragchew frequency and not somewhere to hold a long conversation. Call, make contact, and move to another simplex frequency, exactly as you would use a calling channel on any band.
Keep going
Related on this site
- How to use a repeater The full walkthrough, including what to say.
- Programming with CHIRP Where these numbers actually get entered.
- Best handheld ham radios The radios these settings go into.
- The band plan Which bands carry repeaters at all.
- VHF range calculator Why the repeater reaches so much further than you do.
- The $350 Technician station Built entirely around repeater work.
Keeping your own cut lengths, SWR sweeps and exposure record? The Station Build & Antenna Planner is the paid version of these pages: 8 printable worksheets you fill in with your own numbers, plus the full PDF, $29.
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